After that first life model drawing class, I was hooked. The experience had been surprisingly liberating and enjoyable. I was eager to explore this newfound passion further.
But how could I turn this one-off experience into something more regular? The answer was simple: networking.
I started reaching out to local art groups and societies, introducing myself and offering my services as a life model. I was met with a warm reception, and soon enough, I was regularly modeling for a variety of groups, from experienced artists to budding amateurs.
While it was exciting to be in demand, I quickly realized that no single group would need a model every week. To ensure a steady stream of work, I had to diversify my clientele. I contacted multiple groups, each with its own unique style and approach.
This strategy paid off, and I soon found myself with a regular schedule of life drawing sessions. Each group offered a different experience, from traditional figure drawing to more experimental and contemporary approaches. I found it fascinating to observe how different artists interpreted the human form, turning each session into a learning experience for me as well.
As my reputation as a reliable and versatile model grew, I began to receive inquiries from other sources. One day, a fellow life model reached out, asking if I could cover a hen party for him as he was unwell. I was hesitant at first, but the challenge of a new environment and a different audience intrigued me.
The event turned out to be a surprising blend of lighthearted fun and serious creativity, pushing me out of my comfort zone and expanding my skill set. Little did I know, this would be the start of a whole new chapter in my life modeling journey
Read about it here.